A few examples of appraisal values for
APPROACHING STORM

• Jules Mersfelder (1865-1937 California)
  Jules Mersfelder (1865-1937 California) ''Approaching Storm'' (Landscape) Oil on Canvas 34''x40''
• GEORGES MICHEL "APPROACHING STORM" OIL
  GEORGES MICHEL "APPROACHING STORM" OIL ON CANVAS Georges Michel (French, 1763-1843) "Approaching Storm," oil on canvas, depicting landscape with trees at left and gray clouds rolling in at right, bearing attribution label on reverse, unsigned. Image: 27.75" H x 38.75" W; frame: 35.75" H x 46.75" W x 2.75" D. Areas of minor inpainting. Provenance: Removed from a Bronxville, NY estate; ex: Collection of W.H. Hull, Esq.; Exhibited at the Metropolitan Museum of Art, New York.
• THOMAS HART BENTON (1889-1975) PENCIL
  THOMAS HART BENTON (1889-1975) PENCIL SIGNED LITHOThomas Hart Benton (Missouri, 1889-1975)Approaching Storm (1938)The lithograph on Rives paper from an edition of 200 prints is signed by the artist in pencil below the image lower right, Fath number 25.Benton's comments in Fath read: Hill plowing in North Carolina. Drawing and a painting of subject done in 1938. Painting was sold by A.A.A. in 1939. Litho is much like painting. Do not know present location of painting.Image measures 9.5 x 12.75, sheet is 12 x 16, with a framed size of 18 x 21.25 inches.Very good condition as shown here outside the frame and mat, the full untrimmed sheet with deckle edges, not laid down, no damage, puncture or repair. There is a faint outline of toning from a previous mat that frames the image.
• GRANT WOOD "APPROACHING STORM" LITHOGRAPH,
  GRANT WOOD "APPROACHING STORM" LITHOGRAPH, 1940 Grant Wood (American, 1891-1942) "Approaching Storm" (Cole 19), lithograph on rives paper, 1940, signed in pencil, from the edition of 250, published by Associated American Artists, New York, with full margins. Image: 12" H x 9" W; frame: 20" H x 16.25" W. Provenance: From a 235 East 57th Street private collection. Purchased from Borne Gallery, St. Louis, Missouri.
• JOHN GAWNE (1952- ), APPROACHING STORM
  JOHN GAWNE (1952- ), APPROACHING STORM Fine Art
• Rudolph Wedow (New York, 1906-1965),
  Rudolph Wedow (New York, 1906-1965), \"Approaching Storm\", signed \"Wedow/NM 47\", oil on canvas, 24 x 30 in., original parcel gilt wood frame,
• JAPANESE SCHOOL - APPROACHING STORM
  JAPANESE SCHOOL - APPROACHING STORM Japanese school - Approaching Storm, hanging scroll, ink on silk, inscribed, bearing a signature and seal, 16.5" x 35.75".
• ALBERT NEMETHY AM 1920 - 1998 OIL ON
  ALBERT NEMETHY AM 1920 - 1998 OIL ON ARTIST BOARD SAILI...Albert Nemethy AM 1920 - 1998 oil on artist board sailing schooners with approaching storm 6 1/2"H x 14 3/4"W, fancy gilt frame with brass name plate. 10 1/2"H x 19"W overall Condition: Good condition, with minor touch up, size of pea top center edge
• FG GREEN NEWPORT SEASCAPE PAINTINGAntique
  FG GREEN NEWPORT SEASCAPE PAINTINGAntique oil on canvas seascape signed FG Green 1893, titled verso Approaching Storm, Newport. 24 x 42 inches, framed 30 x 48. (Francis G. Green was a NY landscape and marine painter).
• CHINESE REVERSE PAINTING ON GLASS TRADING
  CHINESE REVERSE PAINTING ON GLASS TRADING VESSELSthe ships at sail with approaching storm, in hardwood frame. Losses to upper background. Frame size: 12" high, 16" wide. Provenance: Property of a CT Estate. Condition: Any condition information included in our lot descriptions is not the equivalent of a written condition statement, and the absence of condition information does not imply that the lot is free of defects. Our auction lot descriptions reflect our effort to provide accurate, objective and fair information on all lots for sale, and we encourage bidders to request written condition statements and large file images on any lots of interest by emailing condition@woodburyauction.com. We also strongly advise that you or someone on your behalf inspect the lot personally before bidding. All lots are sold "as is" and "where is" and neither we nor any consignor makes any warranties or representation of any kind or nature with respect to the property. There are no returns and no refunds based on condition
• GRANT WOOD "APPROACHING STORM" LITHOGRAPHGrant
  GRANT WOOD "APPROACHING STORM" LITHOGRAPHGrant Wood (American, 1891-1942). Lithograph on paper titled "Approaching Storm," 1940. Depicting farmers in the field as a looming storm approaches the group. Signed in pencil along the lower right. From the edition of 250; published by Associated American Artists, New York. Sight; height: 12 3/4 in x width: 9 1/2 in. Framed; height: 20 3/4 in x width: 17 in. Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
• JOAN ALBAUGH OIL ON CANVAS BOARD "APPROACHING
  JOAN ALBAUGH OIL ON CANVAS BOARD "APPROACHING STORM"Joan Albaugh (Nantucket, Contemporary) Oil on Canvas Board "Approaching Storm", signed lower right J. Albaugh, in molded gilt frame 8.5 in. x 11.5 in. Overall 11 in. x 14 in. Joan Albaugh studied at the School of the Museum of Fine Arts, Boston and Tufts University. Albaugh is known for painting the changes in light across a landscape, with brevity of detail and saturated color. Meditative. Her paintings hint of influences from the work of Edward Hopper and Rockwell Kent. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• ROBERT STARK JR. (AMERICAN 1933-2014)
  ROBERT STARK JR. (AMERICAN 1933-2014) OIL ON CANVAS "AP...Robert Stark Jr. (American 1933-2014) Oil on Canvas "Approaching Storm" , signed lower right and titled on the stretcher "Approaching Storm", in molded gilt frame 8 in. x 10 in. Framed 13 in. x 15 in. Condition: Items may have wear and tear, imperfections or the effects of aging. Please contact the gallery for further details prior to bidding. Any condition statement given as a courtesy should not be treated as fact.
• GRANT WOOD (1891 - 1942), APPROACHING
  GRANT WOOD (1891 - 1942), APPROACHING STORM, 1940, LITH...Grant Wood (1891 - 1942), Approaching Storm, 1940, lithograph, signed in pencil, edition of 250, published by Associated American Artists, New York, 12" x 9", sheet size 17 1/2" x 12 1/2". Exhibited: Austin, Texas, The Archer M. Huntington Art Gallery, College of Fine Arts, The University of Texas at Austin, The Fath Collection: Selected prints from the United States and Mexico, 1915 - 1950, May 15 - July 6, 1986, no. 86. C The Creekmore and Adele Fath Charitable Foundation Collection. Sold at Doyle's, New York, November 8, 2011, #268. Condition: : Pale matstain, old paper tape at top sheet edge near corners recto, minor printer's ink and foxing in the margins and verso, otherwise in good condition, with full margins, framed. Condition: All lots are sold "AS IS" The condition of lots can vary widely and are unlikely to be in a perfect condition. *No credit card payments will be accepted for silver, gold, or jewelry from buyers that have not purchased from our gallery in the past.
• AFTER FITZ HENRY LANE, THE APPROACHING
  AFTER FITZ HENRY LANE, THE APPROACHING STORM, O/CAfter Fitz Henry Lane,The Approaching Storm, signed "Christian G. Brandner", Argentinean, O/C Note: Painting also closely resembles Lane's "Sunset at Gloucester Harbor , 1858" Dimensions: 34 x 46, framed 38 1/2 x 50 1/2 (GORM4221)(MM) Condition: In good condition, no losses or tears
• BUELL WHITEHEAD (1919 - 1993) "SUMMER
  BUELL WHITEHEAD (1919 - 1993) "SUMMER RAIN"Buell Whitehead (FL. 1919 - 1993) "Summer Rain" - Color Lithograph Pencil signed and titled lower margin. Image depicts Hickory Pass (Lee County) Florida. Depicting an approaching storm near the coast with a tree blowing in the wind. Image Size: 14 x 19 in. Overall Matt Size: 23.75 x 28 in. Unframed. Condition: - By registering to bid for this auction either in-house or online and/or placing a bid in this auction the BIDDER/BUYER agrees to all the terms and conditions of Helmuth Stone Gallery Auctions. - Due to the size of our gallery not all items are out for preview at one time. If you plan on coming to preview any lot(s) we recommend letting us know prior so we can have them collected and prepared for your preview. - All silver, gold and/or jewelry lots or invoices containing said lots MUST be paid for via WIRE TRANSFER, no other forms of payment will be accepted. - All items are sold as-is where-is and no guarantees are made of any kind. All sales are final; no refunds will be given under any circumstances. - All artwork is listed and sold per section (10) of our terms and conditions, please read over all definitions of authorship prior to bidding to better understand artwork listings. - Helmuth Stone Gallery provides condition reports as a courtesy to our clients and assumes no liability for any error or omission. Any condition statement is given as a courtesy to a client and is only an opinion and should not be treated as a statement of fact. Descriptions are our opinions and should in no way be construed as a guarantee of any kind as to age, condition, mater. The bidder assumes responsibility for ensuring that the condition of the item(s) meets with their satisfaction prior to bidding. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. - Online images can sometimes be low quality due to the uploading process, original high-resolution images can be requested via email at HelmuthStone@gmail.com - We recommend looking into shipping quotes prior to bidding, shipping quotes can take up to a week or more post-sale as we host our auctions through multiple online platforms and shipping can become backlogged, if you would like a list of local shippers please email us directly. - Our auction catalogs are hosted through multiple online platforms along with phone and in-house bidding. Bids placed on other platforms are not shown through this catalog. Because of this, even if it appears you are the only absentee bid or bidder on a lot, you may already be outbid or may have placed a bid equal to another bidder. Therefore, we always recommend bidding live. - Unless otherwise stated in the description, all items are sold without additional documentation or COAs. If any supporting documentation is available an image will be available online via the catalog listing.
• JUNGK, Elfriede, (German, 1889): Approaching
  JUNGK, Elfriede, (German, 1889): Approaching Storm, Woodcut/Fine Thin Paper, 20.75'' x 24.5'' with margins, signed lower right, titled in German in the lower margin, matted, 22'' x 25.25''. German writing in the lower left indicates that this is an original woodcut. CONDITION: Mat needs to be replaced, overall toning with some scattered spots of foxing, scattered insect damage in the margins.
• ANNE PACKARD, (AMERICAN, B. 1933), APPROACHING
  ANNE PACKARD, (AMERICAN, B. 1933), APPROACHING STORM, 2007, TRIPTYCH, OIL ON CANVAS, 3 PANELS, EACH 24 X 24 IN., IN A 25 1/2 X 73 1/2 IN. FRAMEANNE PACKARD, (American, b. 1933) Approaching Storm, 2007, triptych, oil on canvas signed A. Packard, l.l.; signed, dated, and titled, verso 3 panels, each 24 x 24 in., in a 25 1/2 x 73 1/2 in. frame Provenance: The Collection of a Boston Gentleman. Condition:
• GIUSEPPE MAZZOLINI, (ITALIAN, 1806-1876),
  GIUSEPPE MAZZOLINI, (ITALIAN, 1806-1876), A GIRL WITH A BASKET OF FRUIT; THE APPROACHING STORM, OIL ON CANVAS, 16 1/2 X 12 3/4 IN., FRAME: 26 3/4 X 22 3/4 IN.Giuseppe Mazzolini, (Italian, 1806-1876) A Girl with a Basket of Fruit; The Approaching Storm, oil on canvas after the painting by J.B. Greuze oil on canvas Dimensions: 16 1/2 x 12 3/4 in., frame: 26 3/4 x 22 3/4 in. Condition: Overall good condition, could do with a cleaning; Please note: All property is sold "AS IS" and any statement, whether oral or written, is given as a courtesy and shall not be deemed as a guarantee, warranty, or representation of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibitions, literature or historical relevance of the property or otherwise. The absence of a condition report does not imply the item is in perfect condition.
• FRANK C. MCCARTHY, APPROACHING STORM,
  FRANK C. MCCARTHY, APPROACHING STORM, 1977Frank C. McCarthy, (1924 - 2002) Approaching Storm, 1977, oil on canvas board signed and dated lower right: McCarthy / CA © 77 inscribed verso: # 387 "APPROACHING STORM" / all reproduction rights held by the artist / Frank C. McCarthy oil on canvas board Dimensions: 13 1/2 x 17 1/2 in. (34.29 x 44.45 cm.), frame: 20 3/4 x 24 3/4 x 1 1/2 in. (52.71 x 62.87 x 3.81 cm.) Provenance: Private Collection, Washington
• The Approaching Storm (American, 1874-1958) 8
  The Approaching Storm (American, 1874-1958) 8 x 10 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• JOHN CUTHBERT HARE (MASSACHUSETTS/FLORIDA,
  JOHN CUTHBERT HARE (MASSACHUSETTS/FLORIDA, 1908-1978), ELEVEN WATERCOLORS ON PAPER., FROM 6.5" X 8" TO 10” X 12”. UNFRAMED.JOHN CUTHBERT HARE, Massachusetts/Florida, 1908-1978, Eleven watercolors on paper. All signed lower right. Some titled verso, including "Windy Day", "Approaching Storm", "Lighthouse at Marion, MA", "Old Church at Dennis", "Old Fishing Dock, Cape Cod" and "Sundown Provincetown". Dimensions: From 6.5" x 8" to 10" x 12". Unframed.
• FRED C. SMALL (CAPE COD, MASSACHUSETTS,
  FRED C. SMALL (CAPE COD, MASSACHUSETTS, 20TH CENTURY), "THE APPROACHING STORM, HIGHLAND LIGHT, CAPE COD, MASS."., BLACK AND WHITE PHOTOGRAPHIC PRINT ON PAPER, 15" X 19.5". FRAMED 26.25" X 32".FRED C. SMALL, Cape Cod, Massachusetts, 20th Century, "The Approaching Storm, Highland Light, Cape Cod, Mass.". Signed lower right. Titled lower center. Dated 1906. Dimensions: Black and white photographic print on paper, 15" x 19.5". Framed 26.25" x 32".
• STANLEY WINGATE WOODWARD (MASSACHUSETTS,
  STANLEY WINGATE WOODWARD (MASSACHUSETTS, 1890-1970), PAIR OF STORMY COASTAL SCENES: "BREAKERS" AND "APPROACHING STORM"., WATERCOLORS, 6.25" X 9" SIGHT. FRAMED 10.75" X 13.5".STANLEY WINGATE WOODWARD Massachusetts 1890-1970 Pair of stormy coastal scenes: "Breakers" and "Approaching Storm". Signed in lower corners "Stanley Woodward". Titled on labels affixed verso. Watercolors, 6.25" x 9" sight. Framed 10.75" x 13.5". Dimensions: Watercolors, 6.25" x 9" sight. Framed 10.75" x 13.5".
• (VIEW) CAPE COD - TRURO AND NORTH TRURO:
  (VIEW) CAPE COD - TRURO AND NORTH TRURO: 49 POSTCARDS EARLY 20TH CENTURY(VIEW) CAPE COD - TRURO AND NORTH TRURO: 49 POSTCARDS, Early 20th Century, Five real photo: stranded barges, Whitman House and Annex, two lighthouse in the distance views and "Windy Willows". Also: "The Approaching Storm", The Highland House, Watching the Ball Game, "Rock" and "Beacon" cottages, Ballston Beach, street views, post office square, bird's-eye view of North Truro, wrecks of the "Albert Butler" and the bark "Kate Harding", Ballston Beach Inn, H. Lund depiction of Highland Light. Corn Hill and Fisheries and more. 19 postally used or with writing.
• Audrey Niffenegger (American, b. 1963) Image
  Audrey Niffenegger (American, b. 1963) Image #1: Frontispiece and Image #6: The house must be shut against the approaching storm... from The Three Incestuous Sisters (a pair of works), 1991-1994 aquatint with hand-coloring Each: 8 7/8 x 11 7/8 inches. Property from the Collection of Judith Weiss
• CLARENCE MONTFORT GIHON (1871-1929):
  CLARENCE MONTFORT GIHON (1871-1929): "APPROACHING STORM"oil on canvas signed lower left Condition: with loss to gilding on edges of frame 13 3/4 x 18 1/8 inches Condition:
• MANNER OF WALTON BLODGETT (AMERICAN
  MANNER OF WALTON BLODGETT (AMERICAN 1908-1964), APPROACHING STORM, WATERCOLOR ON BOARD, UNFRAMED, 15-3/4 X 23-1/2 INCHESManner of Walton Blodgett (American 1908-1964), Approaching Storm, Watercolor on Board, Unframed, 15-3/4 x 23-1/2 inches
• MANNER OF WALTON BLODGETT (AMERICAN
  MANNER OF WALTON BLODGETT (AMERICAN 1908-1964), APPROACHING STORM, WATERCOLOR ON BOARD, UNFRAMED, 15-3/4 X 23-1/2 INCHESManner of Walton Blodgett (American 1908-1964), Approaching Storm, Watercolor on Board, Unframed, 15-3/4 x 23-1/2 inches
• HUDSON RIVER SCHOOL MANNER, PREVIOUSLY
  HUDSON RIVER SCHOOL MANNER, PREVIOUSLY ATTRIBUTED TO GEORGE GUNTHER HARTWICK (AMERICAN, 1817 - 1899) BY PAST SELLER, OIL ON CANVAS,...Hudson River School manner, previously attributed to George Gunther Hartwick (American, 1817 - 1899) by past seller, oil on canvas, depicts path through boulders to lakes, mountainous background and sailboat partially covered by approaching storm clouds, no signature viewed, wear consistent with age including craquelure, old abrasions including larger inverted "u" shaped abrasion at center, restored, contained in molded and gilded frame with newer gold colored finish, ss: 21" h. x 35" w.
• LUIGI LUCIONI (UNITED STATES) 1900-1988.
  LUIGI LUCIONI (UNITED STATES) 1900-1988. TREES AND SHADOWS. ETCHING, 1957. EMBURY 129; WINDISCH/COLE 1280. ED: 250, AS PUBLISHED BY...Luigi Lucioni (United States) 1900-1988. Trees and Shadows. Etching, 1957. Embury 129; Windisch/Cole 1280. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Signed in the plate, l.l. Printed by the artist with black ink on cream wove paper with complete margins. 263 x 229 mm. (10 3/8 x 9 in.). Framed. Victoria Hutson Huntley (United States) 1900-1971 Dawn Came. Lithograph, 1946. Windisch/Cole 788. Not in LC. Ed: 250, as published by Associated American Artists. Signed and dated with pencil, l.r. Titled with pencil, l.l. Printed by George Miller (?) on cream wove paper with margins, as issued (?). 239 x 318 mm. (9 3/8 x 12 1/2 in.). Framed. Myron G. Hadley (United States) 19091-1974. Approaching Storm. Lithograph, c. 1940. Ed: Unknown. Uncommon. Signed with pencil, l.r. Titled with pencil, l.l. Printed with black ink on cream laid paper with generous margins. 248 x 195 mm. (9 3/4 x 7 5/8 in.). Framed. (3)
• MINTON PARIAN FIGURE OF 'MIRANDA'MINTON
  MINTON PARIAN FIGURE OF 'MIRANDA'MINTON PARIAN FIGURE OF 'MIRANDA', Stoke-on-Trent, England, date cypher for 1862, impressed uppercase mark cypher, incised shape no. 245, after the sculpture by John Bell (1811-1895), modeled seated decollete watching an approaching storm from a rocky ledge, a conch shell and waves at her feet, identified in the mold at the side, 'Bell's Miranda'; This model was first introduced by Minton at the Great Exhibition of 1851, London. Miranda is the daughter of Prospero in William Shakespeare's play The Tempest - h:15.50in.
• Lawrence F. Altaffer, III (American
  Lawrence F. Altaffer, III (American b.1947) Impressionist oil on board evening landscape, signed and dated lower left, signed, titled and dated verso: "Approaching Storm", dated 4-26-00, sight 5 6/8"h x 7 1/2"w
• Floyd Scholz (American, b. 1958) Approaching
  Floyd Scholz (American, b. 1958) Approaching Storm (Bald Eagle), 1988 carved wood signed Floyd L. Scholz and dated (base) height 34 x width 35 x depth 22 1/2 inches The Laumeister Collection from The Bennington Center for the Arts, Bennington, Vermont
• LEONARD OCHTMAN (CT, 1854-1934) Pastureland,
  LEONARD OCHTMAN (CT, 1854-1934) Pastureland, Approaching Storm ,a tonalist study, oil on canvas, signed lower left, oak molded deep cove frame, ca. 1910, OS: 16" x 20", SS: 11 1/2" x 15 1/2", overall craquelure.
• LARRY FLYNT THOMAS BIGELOW CRAIG (1849
  LARRY FLYNT THOMAS BIGELOW CRAIG (1849 - 1924): APPROACHING STORMLarry Flynt Thomas Bigelow Craig (1849 - 1924): Approaching Storm, oil on canvas, relined; signed lower right; titled and signed to board attached to back Dimensions: 24 1/2 x 34 1/4 in. (62.23 x 87 cm.), Frame: 31 x 41 in. (78.74 x 104.14 cm.) Condition: Canvas relined. A repaired four inch-long tear to canvas to sky in upper left quadrant, with corresponding in-painting. An "X"-shaped repaired tear with touch-up (approx 1 inch diameter) to lower right quadrant. two areas of touch-up in the sky and treeline, and in the pasture. Additional touch-up along left edge to address frame abrasion. A few additional, small, scattered areas of touch-up.